REBECCA KELLER
Home
Portfolios
Water
Greece
memorials and objects
Sea/Sky
meniscus
There Is No Other
*Migrant Objects*
What Remains is Dust
A Dangerous Proposition
Rivers of Steel/ Cities of Iron: Chicago Art Department and Present Tense: Excavating Braddock
Teacher Anonymous Happy Hour
Schip-Schaip/ The Public Historian
The Sweet By-and-By
If These Walls Could Talk
Chesterwood
TED talk
UnSETTLED, Jane Addams Hull House Museum, Revisited
If These Things Could Talk:Object Stories
Opening the Black Box: The Charge is Torture
Body Of Work: Excavating History at the International Museum of Surgical Science
*SubCity Projects*/ The Fine Arts Building :Lorado Taft's Dream Museum: an Excavating History Project
With/Draw: harvesting our excess to create a visual feast
Fingerprint by Fingerprint
Etymology of Trees and the Language of Grief
SeedWalk and WeSeed
SeedWalk
We Seed
Waldkunst
Victory Garden For the New Millennium
ARTISTIC OPERATIONS/ANATOMY THEATER
Excavating History Projects 2008 and 2009
HOME/WORK / HOUSE/WORK; A MEDITATION ON LABOR AT THE GLESSNER HOUSE MUSEUM
Pedagogy: The Excavating History Class at the School of the Art Institute of Chicago
Jane Addams Hull House Museum Excavation History 2010
Excavating History 2009
Excavating History 2008
UNSEEN/UNNOTICED/UNSPOKEN: DUPLICITY OF WORD AND IMAGE
ESTONIAN WINTER
FRAGMENTS
OBJECTS and PAINTINGS
More Portfolios
Pedagogy
Links
Contact
C.V
REBECCA KELLER
Home
Portfolios
Water
Greece
memorials and objects
Sea/Sky
meniscus
There Is No Other
*Migrant Objects*
What Remains is Dust
A Dangerous Proposition
Rivers of Steel/ Cities of Iron: Chicago Art Department and Present Tense: Excavating Braddock
Teacher Anonymous Happy Hour
Schip-Schaip/ The Public Historian
The Sweet By-and-By
If These Walls Could Talk
Chesterwood
TED talk
UnSETTLED, Jane Addams Hull House Museum, Revisited
If These Things Could Talk:Object Stories
Opening the Black Box: The Charge is Torture
Body Of Work: Excavating History at the International Museum of Surgical Science
*SubCity Projects*/ The Fine Arts Building :Lorado Taft's Dream Museum: an Excavating History Project
With/Draw: harvesting our excess to create a visual feast
Fingerprint by Fingerprint
Etymology of Trees and the Language of Grief
SeedWalk and WeSeed
SeedWalk
We Seed
Waldkunst
Victory Garden For the New Millennium
ARTISTIC OPERATIONS/ANATOMY THEATER
Excavating History Projects 2008 and 2009
HOME/WORK / HOUSE/WORK; A MEDITATION ON LABOR AT THE GLESSNER HOUSE MUSEUM
Pedagogy: The Excavating History Class at the School of the Art Institute of Chicago
Jane Addams Hull House Museum Excavation History 2010
Excavating History 2009
Excavating History 2008
UNSEEN/UNNOTICED/UNSPOKEN: DUPLICITY OF WORD AND IMAGE
ESTONIAN WINTER
FRAGMENTS
OBJECTS and PAINTINGS
More Portfolios
Pedagogy
Links
Contact
C.V
Portfolios
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All the Water That Ever Was, Now Is
All the Water That Ever Was, Now Is
painting, installation, research, social dialogue
2023
All the Water That Ever was, Now Is
painting, installation, research, social dialogue
installation view
2023
All the Water That Ever was, Now Is
painting, installation, research, social dialogue
installation view
2023
All the Water That Ever Was, Now Is: What color is the water? Lake Michigan version
painting, installation, research, social dialogue
2023
All the Water That Ever Was, Now Is: What color is the water? Lake Michigan version
acrylic on canvas
68" x 30"
2023
All the Water That Ever Was, Now Is: What color is the water? Lake Michigan version
acrylic on canvas
2023