REBECCA KELLER
  • Home
  • Portfolios
    • Water
    • Greece
    • memorials and objects
    • Sea/Sky
    • meniscus
    • There Is No Other
    • *Migrant Objects*
    • What Remains is Dust
    • A Dangerous Proposition
    • Rivers of Steel/ Cities of Iron: Chicago Art Department and Present Tense: Excavating Braddock
    • Teacher Anonymous Happy Hour
    • Schip-Schaip/ The Public Historian
    • The Sweet By-and-By
    • If These Walls Could Talk
    • Chesterwood
    • TED talk
    • UnSETTLED, Jane Addams Hull House Museum, Revisited
    • If These Things Could Talk:Object Stories
    • Opening the Black Box: The Charge is Torture
    • Body Of Work: Excavating History at the International Museum of Surgical Science
    • *SubCity Projects*/ The Fine Arts Building :Lorado Taft's Dream Museum: an Excavating History Project
    • With/Draw: harvesting our excess to create a visual feast
    • Fingerprint by Fingerprint
    • Etymology of Trees and the Language of Grief
    • SeedWalk and WeSeed
      • SeedWalk
      • We Seed
    • Waldkunst
    • Victory Garden For the New Millennium
    • ARTISTIC OPERATIONS/ANATOMY THEATER
    • Excavating History Projects 2008 and 2009
    • HOME/WORK / HOUSE/WORK; A MEDITATION ON LABOR AT THE GLESSNER HOUSE MUSEUM
    • Pedagogy: The Excavating History Class at the School of the Art Institute of Chicago
      • Jane Addams Hull House Museum Excavation History 2010
      • Excavating History 2009
      • Excavating History 2008
    • UNSEEN/UNNOTICED/UNSPOKEN: DUPLICITY OF WORD AND IMAGE
    • ESTONIAN WINTER
    • FRAGMENTS
    • OBJECTS and PAINTINGS
    • More Portfolios
  • Pedagogy
  • Links
  • Contact
  • C.V
REBECCA KELLER
  • Home
  • Portfolios
    • Water
    • Greece
    • memorials and objects
    • Sea/Sky
    • meniscus
    • There Is No Other
    • *Migrant Objects*
    • What Remains is Dust
    • A Dangerous Proposition
    • Rivers of Steel/ Cities of Iron: Chicago Art Department and Present Tense: Excavating Braddock
    • Teacher Anonymous Happy Hour
    • Schip-Schaip/ The Public Historian
    • The Sweet By-and-By
    • If These Walls Could Talk
    • Chesterwood
    • TED talk
    • UnSETTLED, Jane Addams Hull House Museum, Revisited
    • If These Things Could Talk:Object Stories
    • Opening the Black Box: The Charge is Torture
    • Body Of Work: Excavating History at the International Museum of Surgical Science
    • *SubCity Projects*/ The Fine Arts Building :Lorado Taft's Dream Museum: an Excavating History Project
    • With/Draw: harvesting our excess to create a visual feast
    • Fingerprint by Fingerprint
    • Etymology of Trees and the Language of Grief
    • SeedWalk and WeSeed
      • SeedWalk
      • We Seed
    • Waldkunst
    • Victory Garden For the New Millennium
    • ARTISTIC OPERATIONS/ANATOMY THEATER
    • Excavating History Projects 2008 and 2009
    • HOME/WORK / HOUSE/WORK; A MEDITATION ON LABOR AT THE GLESSNER HOUSE MUSEUM
    • Pedagogy: The Excavating History Class at the School of the Art Institute of Chicago
      • Jane Addams Hull House Museum Excavation History 2010
      • Excavating History 2009
      • Excavating History 2008
    • UNSEEN/UNNOTICED/UNSPOKEN: DUPLICITY OF WORD AND IMAGE
    • ESTONIAN WINTER
    • FRAGMENTS
    • OBJECTS and PAINTINGS
    • More Portfolios
  • Pedagogy
  • Links
  • Contact
  • C.V
© REBECCA KELLER
Website by OtherPeoplesPixels
  • What Remains is Dust

    In What Remains is Dust, artist Rebecca Keller meditates on memory and loss. Objects belonging to friends and family since passed rest atop white linens, covered by a blanket of pink dust made up of Keller's father's body powder and her mother's face powder. Visitors engage with the piece by sifting the dust onto the objects. After the objects become obscured by repeated dustings of powder, they are removed from the linens, leaving traces and silhouettes suggestive of missing bodies. In this video by Ted Brusubardis, Keller discusses the evocative potential of intimate yet common objects and the nature of memory.

    This exhibition was presented at the Carthage College H. F. Johnson Gallery of Art, March 6-April 22, 2017, along with a second installation titled A Dangerous Proposition, which you can learn more about in this video:

  • A Dangerous Proposition

    In A Dangerous Proposition, artist Rebecca Keller reframes public education as a radical act. Glass containers are filled with water, while lightbulbs hover inside the containers, almost touching the surface. The vessels are surrounded by projections of quotes about philosophies of teaching and learning, such as the notion that children are vessels to be filled with knowledge. In this video by Ted Brusubardis, Keller reflects on the recent history of public education and its role in equipping students with the capacity to think critically and to question their surroundings, as well as her own teaching practice at the School of the Art Institute of Chicago.

    This exhibition was presented at the Carthage College H. F. Johnson Gallery of Art, March 6-April 22, 2017, along with a second installation titled What Remains is Dust, which you can learn more about in this video: https://youtu.be/EEP3cmfpwwQ.

  • Bad at Sports interview/podcast

    Founded in 2005, Bad at Sports (B@S) features over 20 principal collaborators and is a weekly podcast, a series of objects, events, and a daily blog produced in Chicago, San Francisco, Detroit and New York City that features artists and art worlders� talking about art and the community that makes, reviews and participates in it. Here they interview Keller about Excavating History and her What Remains is Dust and Dangerous Proposition installations

  • The Way of the Shovel

    Exhibition review from "The Way of the Shovel"

  • Video Exclusive: an Interview with Rebecca Keller

    Discussion of Keller's Excavating History residency and exhibition at Chesterwood, the former estate of Daniel Chester French, now a museum

  • TEDx; Revolution and History

    Rebecca Keller's TEDx talk at the University of Chicago

  • Bad at Sports, Chicago Torture Justice Memorial

  • IMSS Body of Work article and interview

    My interview regarding "Body of Work" at Mutual Art

  • Hyperallergic

    Hyperallergic's review of an Excavating History Project

  • Interview with artist and writer Rebecca Keller

    Interview at Praeterita about my Excavating History projects

  • Chicago Public Radio reveiw

    A writer's take on my exhbition at the Glessner House Museum-look for the entry labelled "Spooked Out"

  • Blog by Vince Michael, architectural historian, about Home/Work / House Work

    Look for "House Interventions" halfway down the page.

  • theart blog

    art commentary from Philadelphia, New York and the world.
    Roberta Fallon and Libby Rosof founded the Zero .1% for Art Commission to bridge the gap between ordinary people and art. artblog, established in 2003, is an outgrowth of that mission.

  • Welcome to Tartu Estonia

    City in Estonia with one of the oldest universities in Euroipe

© REBECCA KELLER
Website by OtherPeoplesPixels