REBECCA KELLER
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memorials and objects
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meniscus
There Is No Other
*Migrant Objects*
What Remains is Dust
A Dangerous Proposition
Rivers of Steel/ Cities of Iron: Chicago Art Department and Present Tense: Excavating Braddock
Teacher Anonymous Happy Hour
Schip-Schaip/ The Public Historian
The Sweet By-and-By
If These Walls Could Talk
Chesterwood
TED talk
UnSETTLED, Jane Addams Hull House Museum, Revisited
If These Things Could Talk:Object Stories
Opening the Black Box: The Charge is Torture
Body Of Work: Excavating History at the International Museum of Surgical Science
*SubCity Projects*/ The Fine Arts Building :Lorado Taft's Dream Museum: an Excavating History Project
With/Draw: harvesting our excess to create a visual feast
Fingerprint by Fingerprint
Etymology of Trees and the Language of Grief
SeedWalk and WeSeed
SeedWalk
We Seed
Waldkunst
Victory Garden For the New Millennium
ARTISTIC OPERATIONS/ANATOMY THEATER
Excavating History Projects 2008 and 2009
HOME/WORK / HOUSE/WORK; A MEDITATION ON LABOR AT THE GLESSNER HOUSE MUSEUM
Pedagogy: The Excavating History Class at the School of the Art Institute of Chicago
Jane Addams Hull House Museum Excavation History 2010
Excavating History 2009
Excavating History 2008
UNSEEN/UNNOTICED/UNSPOKEN: DUPLICITY OF WORD AND IMAGE
ESTONIAN WINTER
FRAGMENTS
OBJECTS and PAINTINGS
More Portfolios
Pedagogy
Links
Contact
C.V
REBECCA KELLER
Home
Portfolios
Water
Greece
memorials and objects
Sea/Sky
meniscus
There Is No Other
*Migrant Objects*
What Remains is Dust
A Dangerous Proposition
Rivers of Steel/ Cities of Iron: Chicago Art Department and Present Tense: Excavating Braddock
Teacher Anonymous Happy Hour
Schip-Schaip/ The Public Historian
The Sweet By-and-By
If These Walls Could Talk
Chesterwood
TED talk
UnSETTLED, Jane Addams Hull House Museum, Revisited
If These Things Could Talk:Object Stories
Opening the Black Box: The Charge is Torture
Body Of Work: Excavating History at the International Museum of Surgical Science
*SubCity Projects*/ The Fine Arts Building :Lorado Taft's Dream Museum: an Excavating History Project
With/Draw: harvesting our excess to create a visual feast
Fingerprint by Fingerprint
Etymology of Trees and the Language of Grief
SeedWalk and WeSeed
SeedWalk
We Seed
Waldkunst
Victory Garden For the New Millennium
ARTISTIC OPERATIONS/ANATOMY THEATER
Excavating History Projects 2008 and 2009
HOME/WORK / HOUSE/WORK; A MEDITATION ON LABOR AT THE GLESSNER HOUSE MUSEUM
Pedagogy: The Excavating History Class at the School of the Art Institute of Chicago
Jane Addams Hull House Museum Excavation History 2010
Excavating History 2009
Excavating History 2008
UNSEEN/UNNOTICED/UNSPOKEN: DUPLICITY OF WORD AND IMAGE
ESTONIAN WINTER
FRAGMENTS
OBJECTS and PAINTINGS
More Portfolios
Pedagogy
Links
Contact
C.V
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What Color is the Sea? What Color is the Sky?
What Color is the Sea? What Color is the Sky
painting, social engagement, canvas
10' x 4'
2020
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Detail of week one, stormy skies
