REBECCA KELLER
Home
Portfolios
Water
Greece
memorials and objects
Sea/Sky
meniscus
There Is No Other
*Migrant Objects*
What Remains is Dust
A Dangerous Proposition
Rivers of Steel/ Cities of Iron: Chicago Art Department and Present Tense: Excavating Braddock
Teacher Anonymous Happy Hour
Schip-Schaip/ The Public Historian
The Sweet By-and-By
If These Walls Could Talk
Chesterwood
TED talk
UnSETTLED, Jane Addams Hull House Museum, Revisited
If These Things Could Talk:Object Stories
Opening the Black Box: The Charge is Torture
Body Of Work: Excavating History at the International Museum of Surgical Science
*SubCity Projects*/ The Fine Arts Building :Lorado Taft's Dream Museum: an Excavating History Project
With/Draw: harvesting our excess to create a visual feast
Fingerprint by Fingerprint
Etymology of Trees and the Language of Grief
SeedWalk and WeSeed
SeedWalk
We Seed
Waldkunst
Victory Garden For the New Millennium
ARTISTIC OPERATIONS/ANATOMY THEATER
Excavating History Projects 2008 and 2009
HOME/WORK / HOUSE/WORK; A MEDITATION ON LABOR AT THE GLESSNER HOUSE MUSEUM
Pedagogy: The Excavating History Class at the School of the Art Institute of Chicago
Jane Addams Hull House Museum Excavation History 2010
Excavating History 2009
Excavating History 2008
UNSEEN/UNNOTICED/UNSPOKEN: DUPLICITY OF WORD AND IMAGE
ESTONIAN WINTER
FRAGMENTS
OBJECTS and PAINTINGS
More Portfolios
Pedagogy
Links
Contact
C.V
REBECCA KELLER
Home
Portfolios
Water
Greece
memorials and objects
Sea/Sky
meniscus
There Is No Other
*Migrant Objects*
What Remains is Dust
A Dangerous Proposition
Rivers of Steel/ Cities of Iron: Chicago Art Department and Present Tense: Excavating Braddock
Teacher Anonymous Happy Hour
Schip-Schaip/ The Public Historian
The Sweet By-and-By
If These Walls Could Talk
Chesterwood
TED talk
UnSETTLED, Jane Addams Hull House Museum, Revisited
If These Things Could Talk:Object Stories
Opening the Black Box: The Charge is Torture
Body Of Work: Excavating History at the International Museum of Surgical Science
*SubCity Projects*/ The Fine Arts Building :Lorado Taft's Dream Museum: an Excavating History Project
With/Draw: harvesting our excess to create a visual feast
Fingerprint by Fingerprint
Etymology of Trees and the Language of Grief
SeedWalk and WeSeed
SeedWalk
We Seed
Waldkunst
Victory Garden For the New Millennium
ARTISTIC OPERATIONS/ANATOMY THEATER
Excavating History Projects 2008 and 2009
HOME/WORK / HOUSE/WORK; A MEDITATION ON LABOR AT THE GLESSNER HOUSE MUSEUM
Pedagogy: The Excavating History Class at the School of the Art Institute of Chicago
Jane Addams Hull House Museum Excavation History 2010
Excavating History 2009
Excavating History 2008
UNSEEN/UNNOTICED/UNSPOKEN: DUPLICITY OF WORD AND IMAGE
ESTONIAN WINTER
FRAGMENTS
OBJECTS and PAINTINGS
More Portfolios
Pedagogy
Links
Contact
C.V
Portfolios
All the Water That Ever Was, Now Is
All the Water That Ever Was, Now Is
The Wine Dark Sea/Greece
The Wine Dark Sea/Greece
Portable Memorials and Abject Objects
Portable Memorials and Abject Objects
What Color is the Sea? What Color is the Sky?
What Color is the Sea? What Color is the Sky?
Meniscus/ What Color is the Sea and Sky?
Meniscus/ What Color is the Sea and Sky?
There Is No Other
There Is No Other
*Migrant Objects*
*Migrant Objects*
What Remains is Dust
[Youtube]
What Remains is Dust
A Dangerous Proposition
A Dangerous Proposition
Rivers of Steel/ Cities of Iron: Chicago Art Department and Present Tense: Excavating Braddock
Rivers of Steel/ Cities of Iron: Chicago Art Department
and
Present Tense: Excavating Braddock
Teacher Anonymous Happy Hour
Teacher Anonymous Happy Hour
Schip-Schaip/ The Public Historian
Schip-Schaip/ The Public Historian
The Sweet By-and-By
The Sweet By-and-By
If These Walls Could Talk
If These Walls Could Talk
Chesterwood
Chesterwood
TED talk
[Youtube]
TED talk
UnSETTLED, Jane Addams Hull House Museum, Revisited
UnSETTLED, Jane Addams Hull House Museum, Revisited
If These Things Could Talk:Object Stories
If These Things Could Talk:Object Stories
Opening the Black Box: The Charge is Torture
Opening the Black Box: The Charge is Torture
Body Of Work: Excavating History at the International Museum of Surgical Science
Body Of Work:
Excavating History at the International Museum of Surgical Science
*SubCity Projects*/ The Fine Arts Building :Lorado Taft's Dream Museum: an Excavating History Project
*SubCity Projects*/ The Fine Arts Building :Lorado Taft's Dream Museum: an Excavating History Project
With/Draw: harvesting our excess to create a visual feast
With/Draw: harvesting our excess to create a visual feast
Fingerprint by Fingerprint
Fingerprint by Fingerprint
Etymology of Trees and the Language of Grief
Etymology of Trees and the Language of Grief
SeedWalk and WeSeed
SeedWalk and WeSeed
Waldkunst
Waldkunst
Victory Garden For the New Millennium
Victory Garden For the New Millennium
ARTISTIC OPERATIONS/ANATOMY THEATER
ARTISTIC OPERATIONS/ANATOMY THEATER
Excavating History Projects 2008 and 2009
Excavating History Projects 2008 and 2009
HOME/WORK / HOUSE/WORK; A MEDITATION ON LABOR AT THE GLESSNER HOUSE MUSEUM
HOME/WORK / HOUSE/WORK; A MEDITATION ON LABOR AT THE GLESSNER HOUSE MUSEUM
Pedagogy: The Excavating History Class at the School of the Art Institute of Chicago
Pedagogy:
The Excavating History Class at the School of the Art Institute of Chicago
UNSEEN/UNNOTICED/UNSPOKEN: DUPLICITY OF WORD AND IMAGE
UNSEEN/UNNOTICED/UNSPOKEN: DUPLICITY OF WORD AND IMAGE
ESTONIAN WINTER
ESTONIAN WINTER
FRAGMENTS
FRAGMENTS
OBJECTS and PAINTINGS
OBJECTS and PAINTINGS
More Portfolios
More Portfolios